The third volume in the only comprehensive modern survey of the surviving frescoes created during the later years of the great Italian Renaissance to the Baroque. Following the success of the previous volumes in this extraordinary series––Italian Frescoes: The Early Renaissance and Italian Frescoes: The Flowering of the Renaissance—this volume presents twenty-two fresco cycles,...(展开全部)

著者简介 [英] 艾莉森·科尔（Alison Cole），专攻意大利文艺复兴艺术和视觉文化的艺术史家，同时也是一位活跃于艺术评论界的艺评人。她曾担任《艺术新闻》的编辑，并长期为英国的各大艺术机构提供艺术策划咨询。 译者简介 张延杰，北京大学历史学博士，《北京舞蹈学院学报》副主编。

Since it was first published more than forty years ago, Sources of Japanese Tradition, Volume 2, has been considered the authoritative sourcebook for readers and scholars interested in Japan from the eighteenth century to the post-World War II period. Now greatly expanded to include the entire twentieth century, and beginning in 1600, Sources of Japanese Tradition presents wr...(展开全部)

In the modern era, the archive--official or personal--has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and ensuing co...(展开全部)

“My husband Jan finished me on 17 June 1439. . . . My age was 33 years.” So speaks Margaret van Eyck from the frame of her portrait. This painted inscription honors its maker Jan van Eyck, even as it blurs the distinction between living subject and painted double. Frame Work, an in-depth study of paintings, sculpture, and manuscript illumination in their varied social settings...(展开全部)

“My husband Jan finished me on 17 June 1439. . . . My age was 33 years.” So speaks Margaret van Eyck from the frame of her portrait. This painted inscription honors its maker Jan van Eyck, even as it blurs the distinction between living subject and painted double. Frame Work, an in-depth study of paintings, sculpture, and manuscript illumination in their varied social settings...(展开全部)

The Roman author Pliny tells the story--well known in the Renaissance--of famed Grecian painter Apelles hiding behind one of his pictures to overhear comments of viewers. Martin Kemp provides an introductory text on Italian Renaissance art that brings the period alive through a wealth of visual and written evidence and extensive quotations from original sources.